I like to suppose about depth of area as a window with thick glass that intersects the scene in front of you. Anything that touches the window is inside your depth of area; something farther away from the window is progressively farther and farther out of focus. For instance, should you use a 300mm lens on the Nikon D850 (a full-frame digicam, 1× crop factor), you get the expected 300mm field of view. But should you put the identical lens on the Nikon D500 (an APS-C digital camera, 1.5× crop factor), you should have a a lot tighter view – equal to 450mm reference. In principle, bracketing can check with nearly any variable in photography – even something like composition – but publicity and focusing are the most typical contexts.
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